“Riddick” with Vin Diesel, Jordi Mollà, Matt Nable, Katee Sackhoff, Dave Batista, Bokeem Woodbine, Raoul Trujillo, and Karl Urban
Directed by David Twohy, Written by David Twohy
Riddick (at least in its current iteration) is the lovechild of actor Vin Diesel and writer/director David Twohy. Vin Diesel has played the title character in all the film and video game adaptations. However, not only has Diesel always portrayed the gravely rogue, Diesel also vied and won the rights to Riddick due to his cameo in “Fast & Furious” as well as levied his own home to procure the necessary investment required to make the third installment, “Riddick.”
As mentioned, “Riddick” is the third feature film starring the eponymous character; David Twohy and Diesel seemed to have amalgamated the better parts of the prior two films to create something entirely new and better with a relatively small budget. It seems as-if the personal investment of the film has been quite successful for the two, so here is to hoping that more Riddick is down the pipeline.
The film starts off by recapping the events of “The Chronicles of Riddick” and tying them into Riddick’s current predicament. After being Lord Marshall of the Necromonger fleet for five-years, Riddick has grown restless and inevitably takes the bait when Commander Vaako (Karl Urban of “The Chronicles of Riddick”) dangles a carrot that Riddick can’t resist. Vaako offers Riddick the supposed location of Riddick’s home planet Furya, which has been lost to all record. Riddick obliges, and ends up being double-crossed by Vaako’s right-hand man and left for dead on an unnamed, hostile planet buried beneath the rubble of a cliffside.
The real heart of the film “Riddick” begins here with Riddick’s survival and subsequent plan of attack concerning his escape from the planet. The first third of the film was the most enjoyable. Riddick is beaten and tattered with a myriad of broken bones (specifically a rather bad compound fracture in his leg), and is required to shed his near-kingly garb and mentality to become more primitive in order to survive. The film introduces a host of wild and creative creatures that constantly test Riddick’s endurance.
During these sequences, director David Twohy uses wide sweeping shots that show the horror and beauty of the alien world that Riddick currently resides.
After quite a bit exploring and mending, Riddick finally stumbles across a co-op mercenary bunker belonging to any mercenaries planetside. In order for Riddick to acquire passage off of the planet he has to essentially call the men and women who want to kill him for his bounty. The remainder of the movie focuses on this aspect of the storyline. Two bands of mercenaries answer Riddick’s call, both with very different agendas, and proceed to hunt and be hunted by Riddick while the planet’s creatures rally in kind.
The only remnants of “The Chronicles of Riddick” are visage are the special effects and backstory. Some of the shots of the planet and creatures are incredibly intricate and eye-catching, while on the whole, the plot and relative structure more closely follow Riddick’s freshman effort, “Pitch Black.”
Ultimately, the film manages to blend the best of the both earlier entries by creating something that honestly has a lot of heart and soul. It’s an action movie through-and-through, but because Vin Diesel owns the role so completely and the series continuously pushes forward even with such great setbacks, any filmgoer can tell that it is a labor of love rather than a quick paycheck.
Personally, I would rather see a solid action flick made by people who just want to make a movie than a solid drama that aims only for accolades.